Artist Spotlight Camille Hoffman BOOOOOOOM! CREATE * INSPIRE


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kiln schedules Question/Advice a lil 'bout me- took an intro ceramics class in community college. loved it, panicked about getting enough piece ready before the end of semester, dropped the class. now done with college, i have a home studio with my brother. an electric skutt 818.


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Two hours with the ramp at 150 degrees F/hr. Ramp at 400 degrees F/hr until cone 8 reached (about 2240 degrees F) Soak with a ramp of 0-40 degrees F/hr until cone 9 reached (about one-half hour) Kilns are fired according to firing schedules, which include how long the kiln will be firing at a certain ramp or rate of temperature gain.


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Firing schedule - I use what is often referred to as the Camille Hoffman firing schedule. It is a drop and soak method, which means that I fire to a hot Cone 5 to a max temp of 2160 degrees F, a controlled cool-down to 1900 degrees, followed by a 30 minute hold at that temperature. After that 30 min hold, it's a controlled cool down to room temp.


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Camille Hoffman — Matter of Hand

Default Starting Temperature 20 °C Focused on utilitarian pieces, mainly those created on thin thickness, I adopt the following firing curve: Initially, I increase the temperature at 2 degrees per minute, equivalent to 120 degrees per hour, until it reaches 350 degrees .


Artist Spotlight Camille Hoffman BOOOOOOOM! CREATE * INSPIRE

In other words a guess. From there you vary the hold time at the lower temp giving sufficient time for the glaze to heal. 100 degree drop, fifteen to 20 minutes is a start. Take a look at digital fire for a drop and hold schedule to start with. Other custom drop and holds have specific desired outcomes, this one is just to get the glaze to heal.


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The fast schedule has only two steps: 570F/hr to 1695F and 200/hr to 1945F. The cone 6 glaze firings use the same steps except they add 287 degrees F to the target temperature on the last two steps. There are no holds at any of these steps.


Camille Hoffman Museum of Arts and Design

• 10 mo. ago I'd suggest you call Skutt. They are the real experts and they want their kiln to perform well for you. Good luck. I am getting ready to do my first glaze firing in my electric Skutt kiln and I need to do a cone 5, not 6, because some of my clay bodies aren't…


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Here is my Cone 5 firing schedule for my Skutt 1227 created by Skutt tech Perry.


Camille Hoffman — Matter of Hand

👇👇👇 Best book on my shelf! 👇👇👇John Britt's "Complete Guide to Mid-Range Glazes" https://amzn.to/3hOonhZ VIDEO DESCRIPTIONThis is my favorite and.


Camille Hoffman — Matter of Hand

Here is the schedule. Ramp 5 can really go as hot or as cool as you like. I used to go to 2170, but have since bumped it to 2190 and changed the hold to 8minutes. Just trying to get a little more melt. Ramp 1 200. 250. No hold Ramp 2 400. 1000. No hold Ramp 3 180. 1150. No hold Ramp 4 300. 1967. No hold Ramp 5 120. 2170. Hold 5 minutes Ramp 6


Artist Spotlight Camille Hoffman BOOOOOOOM! CREATE * INSPIRE

Hey guys! Has anyone here tried the Camille Hoffman 5,5 firing schedule? I'm wondering if it works for spectrum glazes who tipically prefers a proper cone 5?


CAMILLE HOFFMAN

Down firing, or slow cooling, refers to controlling the rate at which your kiln cools. I've programmed my kiln to a slowly cooling rate for a variety of purposes, ranging from slow cooling large work to reduce dunting to cooling slowly and holding at certain temperatures to form glaze crystals.


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👇👇👇 Best book on my shelf! 👇👇👇John Britt's "Complete Guide to Mid-Range Glazes" https://amzn.to/3hOonhZ VIDEO DESCRIPTIONHow to Program a Slow Gl.


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Sulfur in various forms will oxidize from 1292-2102°F (700-1150°C). Kilns must be well vented throughout these temperature ranges, especially from 1292-1652°F (700-900°C), and the firing should proceed slowly through this temperature range to allow oxygen time to oxidize all of the inorganic carbon and sulfur in the clay. Here is.


Camille Hoffman — Matter of Hand

Camille Hoffman Studio, New York, New York. 353 likes. Camille Hoffman is a contemporary mixed-media painter living and working in New York City